There were quite a few doubts and conjectures hovering over the fate of this modern-adaptation of perennial character popularly known as Dev-Das, for the simple reason that the man-in-charge Mr. Anurag Kashyap has quite an unimpressive trackrecord so far. His debut product ‘Paanch’ died even before it actually hit the silver screen because of the unavoidable eternal-delay; ‘Black Friday’ succumbed to the over-hype-n-hoopla of contentious issue combined with the jaws of piracy; his statuary warning named ‘No Smoking’ was only understood by the maker himself as it choked the viewers’ thought process and challenged the critics’ credentials to judge the movie. On the other hand, Abhay Deol is basking high on the adulation (critical or otherwise) bestowed over him for Oye Lucky, Manorama-Six-feet-Under and Ek-challis-ki-last-local. So it was interesting to see an end-result of the joint venture by two sons of entirely contrasting fate.
Anurag Kashyap has reinvented the portrayal of an inebriated loser that has been immortalized by first Dilip Kumar and then by SRK. There is slightest of familiarity with the characters; there is Paro who leaves our Dev D soaked in tears cocktailed with Vodka, there is Chandramukhi who provides support to the dipsomaniac and in turn craves for ever-eluding love, then there is Chunni too- the protagonist’s compotator. But that’s all for the similarity sake; the way characters has been concocted with the plot is something worth-praising, add to it the outrageously brilliant craftsmanship by Anurag and you are in for a pleasant surprise. There are quite few experiments as well, viz- typical background music is not used in the movie, instead the songs like Mahi menu,Hikknal, Pardesi, Duniya and Nayan Tarse are used for the purpose. The new music director Amit Trivedi deserves all the accolades for all these different-to-the-tee tracks. After long-long time a song has come that induces applause and whistles both from the masses and the classes; Emosanal Atyachar has already empowered itself as a youth-anthem and is sure shot hit. The cinematography is unconventional that comes from the fact that majority of the flick is filmed at night. The direction is flawless to say the least; finally Anurag makes his mark with his daredevil take on the Modern Devdas. On the flipside, the editing is efficacious in the first half but fails to negate the hangover and drags a bit in the second half. Mentally prepare yourself for few raunchy and sexy dialogues including F word; such dialogues combined with some bold scenes leaves audiences gasping for breath at more occasions than one.
The “Deol with the difference” does full justice to the hot-n-happening avatar of orthodox -Devdas as DEV D. With this new stellar performance to the fray, he further seals his place as a número uno of the so-called new-aged parallel cinema. If he has showcased his humorous self in his last release then here he epitomizes contemptuous nonchalance, self-centeredness, jealousy and impassiveness with customary élan. His impeccable act of devdas makes sure that moving forward, the ‘all-lost-in-love and found-solace-in-alocoholomania’ kinda guys would be epithetically known as DEV D. The leading lady Mahie Gill makes a confident debut and surely is a promising prospect, on the other hand Kalki is handled with care by Anurag in the flick but whether she will find her foothold in Bolly-Nagri is to be seen.
Harjeet’s Verdict: If you are not an hardcore fan of a “typical family entertainer”; If you are game for an outlandish treatment of the eccentric characters under bizarre circumstances; If you are ready to take bulls by horns by witnessing the coming-of-age adaptation of highly conventional love-story, If you are sick of all rosy love stories and want some temerarious attempt to redefine “Bollywood on the rise” tag; If your soft-soothing ears need some hard-on treatment through some bold words instead of covering up beeps; and finally, If you are headstrong for some ‘emotional atyachar’ on your traditional bolly-brainy; then raise a toast for DEV D and scream “CHEERS”. As against lots of IFs, there is only one ELSE:- Stay Away and Be in Peace!
