Gone are those days when big-banners almost guaranteed the success at the box office. Recent Yashraj debacles (barring Chak-De India) and “Johar’s Krap- KANK” presents the ample testimony of this fact. Also, record proves that most of the multi-starrers drawn blank in the past and fails to live-up to the ever-mounting expectations of the audiences. So there was lotzz of doubts and anxiety over Tashan of Yashraj Factory, more so because the story/plot was kept under wraps for most of the post-production promotions.
Where is Tashan: The promos of Tashan promised a stylish flick, with entertainment quotient intact. In Reality check, it proves out to be “All Gloss and no Steel”. It seems Vijay Krishna Acharya, the Director of the movie, did no good for himself and the movie by shouldering extra responsibilities of being a Writer and an Editor as well. The story starts with elsewhere and ends at nowhere. Infact, initial few reels (especially the introductory scene) promises a great deal but to no avail as it slips from bad to worse into the abyss of distinct disillusionment. There are countless errors and loopholes in the movie that one review will be short if discussed in detail. The camera work by Ayanaka Bose is noteworthy in bits and pieces, action by Peter Hinnes is average and Vaibhavi Merchant’s dance moves has nothing to rave about.
Hero-Heroine Ka Tashan: After rollicking performance in RACE, Saif renders a dumb show in a role that has nothing new to offer except to the fact that, off screen, Tashan has given a reason to encrypt a tattoo on his arm. It looks as if he went into his shell and got totally over-awed by presence of Akshay Kumar who outplayed him in many films in late nineties. Anil Kapoor again proves his versatility going a full circle of performances in last six months or so. From a knee-minded Welcome to intellectual B&W, and back again to this Joker-role with a tinge of negativity in Tashan, he proves his mettle. But saying that, if few scenes by this Actor-par-excellence puts smile on your face, few other leaves you with disgust; blame it on “Overdose of Hinglish”. Kareena Kapoor in her new emaciated avatar looks good when registering her name in Yashraj camp’s Bikini Babes. Other than that she fails to re-create the magic of Jab We Met and concentrated more on Exposure than on performance. C’mon Bebo your voluptuous figure was far more attractive than this zeroed one. The Ace in the pack by far is Akshay Kumar, who lives up to his new attained superstar status. I seriously doubt whether Tashan will continue his dream run at the box office but he surely has left no stone unturned to make this not-so-happening movie into a decent one. His Comic timing is impeccable, action sequences matchless and dialogue-delivery flawless. All in all he’s the lone torch-bearer of this Tashan-less affair.
Vishal-Shekhar ka Tashan: The talented Music-Director duo of Vishal Shekhar has again given a top-notch performance in Tashan. Their fav singer Sukhvinder Singh does justice with Dil Hara Re which is shot at luscious locales that makes it soothing both for ears and eyes. Chhaliya Chhaliya works as a tool for Kareena to flaunt her new well-toned body with some skimpy attire. Dil Dance Maare will lose into the oblivion once the movie wipes from the audiences’ memory-slate. Falak Tak is a good genuine romantic song in the album and Tashan Mein played in the background through out, goes well with the mood of the movie. In gist, a decent attempt to carry-forward the legacy of musical brilliance of Yashraj’s movies.
Harjeet’s Tashan: If you get the feeling that my Review is inundated with the word Tashan, then let me assure you that I’m not in dearth of words. Instead, its aptly deduces my verdict of the movie: Its all Tashan, nothing beyond that!! If you wanna watch for the sake of it, go watch it or else….as I always say: STAY IN PEACE………..
Where is Tashan: The promos of Tashan promised a stylish flick, with entertainment quotient intact. In Reality check, it proves out to be “All Gloss and no Steel”. It seems Vijay Krishna Acharya, the Director of the movie, did no good for himself and the movie by shouldering extra responsibilities of being a Writer and an Editor as well. The story starts with elsewhere and ends at nowhere. Infact, initial few reels (especially the introductory scene) promises a great deal but to no avail as it slips from bad to worse into the abyss of distinct disillusionment. There are countless errors and loopholes in the movie that one review will be short if discussed in detail. The camera work by Ayanaka Bose is noteworthy in bits and pieces, action by Peter Hinnes is average and Vaibhavi Merchant’s dance moves has nothing to rave about.
Hero-Heroine Ka Tashan: After rollicking performance in RACE, Saif renders a dumb show in a role that has nothing new to offer except to the fact that, off screen, Tashan has given a reason to encrypt a tattoo on his arm. It looks as if he went into his shell and got totally over-awed by presence of Akshay Kumar who outplayed him in many films in late nineties. Anil Kapoor again proves his versatility going a full circle of performances in last six months or so. From a knee-minded Welcome to intellectual B&W, and back again to this Joker-role with a tinge of negativity in Tashan, he proves his mettle. But saying that, if few scenes by this Actor-par-excellence puts smile on your face, few other leaves you with disgust; blame it on “Overdose of Hinglish”. Kareena Kapoor in her new emaciated avatar looks good when registering her name in Yashraj camp’s Bikini Babes. Other than that she fails to re-create the magic of Jab We Met and concentrated more on Exposure than on performance. C’mon Bebo your voluptuous figure was far more attractive than this zeroed one. The Ace in the pack by far is Akshay Kumar, who lives up to his new attained superstar status. I seriously doubt whether Tashan will continue his dream run at the box office but he surely has left no stone unturned to make this not-so-happening movie into a decent one. His Comic timing is impeccable, action sequences matchless and dialogue-delivery flawless. All in all he’s the lone torch-bearer of this Tashan-less affair.
Vishal-Shekhar ka Tashan: The talented Music-Director duo of Vishal Shekhar has again given a top-notch performance in Tashan. Their fav singer Sukhvinder Singh does justice with Dil Hara Re which is shot at luscious locales that makes it soothing both for ears and eyes. Chhaliya Chhaliya works as a tool for Kareena to flaunt her new well-toned body with some skimpy attire. Dil Dance Maare will lose into the oblivion once the movie wipes from the audiences’ memory-slate. Falak Tak is a good genuine romantic song in the album and Tashan Mein played in the background through out, goes well with the mood of the movie. In gist, a decent attempt to carry-forward the legacy of musical brilliance of Yashraj’s movies.
Harjeet’s Tashan: If you get the feeling that my Review is inundated with the word Tashan, then let me assure you that I’m not in dearth of words. Instead, its aptly deduces my verdict of the movie: Its all Tashan, nothing beyond that!! If you wanna watch for the sake of it, go watch it or else….as I always say: STAY IN PEACE………..
4 comments:
Once again Harjeet Rocksss... and jot down with his well known TASHAN(Tremendous-Awesome-Sensible-Hearty-Astute-Noteworthy). Only bag to differ about comment on 'White White Face ..." song, I loved that,it was rhythmic enough to compel you to Tap your feets, Akshay's dance was natural and refreshing, rest all is correct word to word, keep penning down and saving other's money...excellent work!!
Thank u very much Rupesh,
Tum jaise chahne waalo ne kaaran hi to likhnaa padtaa hai :)
thanx for commenting
In making TASHAN no brains were applied...however Akshay was superb, especially I liked his entry as Rawan on LML Vespa :D
TASHAN was a brain less movie...with no logic.....however I liked Akshay a lot especially his intro into the movie as RAWAN on the LML vespa
Post a Comment